FILM VFX
3D Matte Painter & Environment Artist
FIlm VFX
3D Matte Painter & Environment Artist
I am a Matte Painter and Environment Artist for feature for live action and animated films, creating everything from concept development and environment creation to matte painting and 3D-projected environments. I specialize in innovating with new technologies and developing efficient workflows for environment creation.
I am a Matte Painter and Environment Artist for feature for live action and animated films, creating everything from concept development and environment creation to matte painting and 3D-projected environments. I specialize in innovating with new technologies and developing efficient workflows for environment creation.
| Skill Set |
|---|
Concept Art |
| Film | Role | Studio |
|---|---|---|
Dark Phoenix (2019) | Lead 3D Digital Matte Painter | MPC VFX |
Ghost in the Shell (2017) | Lead 3D Digital Matte Painter / Lead Environment Artist | MPC VFX |
Fantastic Beasts and Where to Find Them (2016) | Lead 3D Digital Matte Painter | MPC VFX |
X-Men: Apocalypse (2015) | Lead 3D Digital Matte Painter | MPC VFX |
The Great Gatsby (2013) | Senior 3D Digital Matte Painter / Technical Lead | Animal Logic |
The Hunger Games (2012) | Senior 3D Digital Matte Painter | Rising Sun Pictures |
Abraham Lincoln: Vampire Hunter (2012) | Senior 3D Digital Matte Painter | Weta Digital |
Rise of the Planet of the Apes (2011) | Senior 3D Digital Matte Painter | Weta Digital |
X-Men: First Class (2011) | Senior 3D Digital Matte Painter | Weta Digital |
My Sister’s Keeper (2009) | Digital Matte Painter | Matte World Digital |
X-Men Origins: Wolverine (2009) | Digital Matte Painter | Matte World Digital |
The Curious Case of Benjamin Button (2008) | Digital Matte Painter | Matte World Digital |
Garrett was instrumental in setting up the matte painting pipeline. Garrett is a highly motivated artist, who is always exploring new techniques to improve his craft.
Andy Brown
VFX Supervisor - Animal Logic
VFX Supervisor - Animal Logic
Garrett was a key member of the matte painting department, and was frequently tasked with heading up a group of shots, establishing the "look" by both technical and artistic means. Garrett was very dependable in this role, as he proved repeatedly.
Brian Flora
Art Director
Art Director
Garrett has always displayed a high degree of integrity, responsibility, and talent. He was completely committed to the quality of his work on every project.
Glenn Cotter
Matte Painting Supervisor
Matte Painting Supervisor