Global learning and development leader with expertise in training strategy, learning technology, workforce skill development, onboarding, upskilling, and performance tracking at a global scale.
I have experience in both large and small art departments for live-action and animated feature films, collaborating directly with Directors and Art Directors such as Doug Chiang, Mike Pangrazio, Simon Wells, Stan Lee and Robert Zemeckis. My skills include digital painting, 3D mockups, photomontage, 3D paintovers, and previsualization.
Digital Painting 3D Mockup Photocollage 3D Paintover Previsulization Set Design
Project
Role
Studio
Atlas - IP Pitch (2021)
Concept Artist
Warner Brothers
Arch Alien - IP Pitch (2016)
Concept Artist
POW! Entertainment (Stan Lee)
Book of Mormon - Preproduction (2014)
Concept Artist
Church of Jesus Christ of Latter Day Saints
New Testament - Preproduction (2014)
Concept Artist
Church of Jesus Christ of Latter Day Saints
Missionary Training - Preproduction (2014)
Concept Artist
Church of Jesus Christ of Latter Day Saints
Universal Studios - Branding (2011)
Concept Artist
Weta Digital
Aleena - Book-to-Film Adaptation (2011)
Concept Artist
Weta Digital
Big Thunder Mountain - Movie Adaptation (2010)
Concept Artist
Disney
Yellow Submarine - Preproduction (2010)
Concept Artist
Disney
Mars Needs Moms! - Preproduction (2009)
Concept Artist
Disney
Garrett was a key member of the matte painting department, and was frequently tasked with heading up a group of shots, establishing the "look" by both technical and artistic means. Garrett was very dependable in this role, as he proved repeatedly.
Brian Flora Art Director
Aesthetically and logistically, Garrett always delivered. If I ever received pressure regarding a shot or concept that Garrett was working on, I could confidently assure the team that he/we would not disappoint.
Erin Collins Butler Art Department Production Manager - Disney
Garrett is a born teacher, conveying complex technical ideas in a simple way that really helped others in the team learn quickly. His good aesthetic and technical judgment combined with a professional outlook ensured a logical, practical and innovative approach to his work.
